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Biography of The Surfaris Then and
Now
http://www.jimfacey.com/Surfarisbio.htm
Take an African safari, mix it with a hunt
for good surf, and you have a SURFIN’
safari. A simple mixing of these concepts
gave "THE SURFARIS" their name. In 1962 they
had dreams of forming a band like Dick Dale,
whom they had seen at Harmony Park. They
only had one guitar amp and that was not
enough. Luckily, their drummer had a dream
about a mythical surfer and wrote a song
about him, SURFER JOE. With a $100
investment for studio time and a few
records, they put his dream on a few 45’s
and then sold them at high school for a $1
to buy more amps. A song entitled WIPE OUT
was quickly cooked up in about 15 minutes to
fill the other side. It featured a drum solo
which was a marching cadence for the Charter
Oak High School marching band.
SURFER JOE became well known in it’s own
right, charting to #62 after WIPE OUT was no
longer charting. The "The Surfaris" followed
up with POINT PANIC in 1963 and it charted
#49,s and today it still gets Classic Oldies
airplay nationwide. "THE SURFARIS" also had
a #2 hit in Japan (Kareen, 1965) and
recorded music for the movie The Lively Set,
starring James Darren. Throughout the early
60’s they recorded five albums and numerous
singles, most of which have been constantly
in reissue worldwide since their initial
release.
Their current "best of " anthologies are
available on CD from Varese Sarabande (Wipe
Out, The Best Of The Surfaris 18
songs/VSD-5478) and Surfaris Stomp (19
songs/VSD-5588). In addition, a live reunion
concert has been released on GNP Crescendo
Records entitled Surf Party! The best of
Surfaris live (16 songs/GNPD 2239). The
Surfaris also appear on numerous recently
released collections. Their international
fame and original recorded output as a surf
band is only exceeded by the Beach Boys and
Jan & Dean.
The Surfaris continue to have a significant
impact on American culture. Over the last
ten years Wipe Out has been featured in
numerous national commercials and major
motion pictures. Advertisers such as Nissan,
Pepsi, Kodak, and Wendy’s Hamburgers and
films such as Dirty Dancing, The Vanishing,
and Sandlot are a few examples. It has also
appeared in children’s toys such as musical
tops, mechanical bouncing balls, and video
games. Wipe Out’s melody has become cultural
musical language not only for a surfing wipe
out, but "wiping out" at any endeavor; the
drum solo is undoubtedly the most famous in
the world. Guitar World Magazine recently
declared Wipe Out as one of the ten most
influential songs on rock guitarists in rock
history. On their 30th anniversary, The
Surfaris were presented with numerous awards
of recognition. One in particular from the
California Senate reads: "In recognition of
your contribution to the musical culture of
California with the introduction of Surf
Music which opened countless opportunities
for musicians and businesses." Today, you
can see George OF The Jungle playing Wipe
Out on a conga drum and kids on TV playing
it on the top of a Pringles potato chip can.
In 1991, The Surfaris were inducted into the
Surf Music Walk Of Fame at Euro Disneyland,
(France). On April 12th, 1996 they were
inducted into Hollywood’s Rock Walk and
Museum, being recognized as having made a
significant contribution to the history of
Rock and Roll. After the ceremony they
headlined at Hollywood’s House of Blues,
which was sold out.
Their recent national television appearances
include an episode of The New Gidget Show
for which they recorded new music (Bred to
Shred), The Vickie Lawrence Show, The Home &
Family Show, and numerous entertainment
magazine shows and live news coverage of
their appearances. David Letterman used
Point Panic for his "surfing in his suit"
skit during his L.A. broadcast.
As with all classic acts, the public is
interested in the current band membership in
comparison ;with the founding members. The
original lead guitar player, Jim Fuller, and
the original sax player, Jim Pash, are the
currently active original members.
Though the original lineup is no longer
intact, the current membership includes one
of the recognized founders of surf music’s
colorful heritage, Paul Johnson. Paul began
developing what was to become surf music as
early as 1959, and made L.A.’s top 40 with
his composition Mr. Moto, in 1962. Paul went
on to write several other instrumental
classics and perform on many surf and hot
rod recordings. Paul’s distinctive playing
style and musical insights were featured in
two consecutive issues of Guitar Player
magazine. He is a prodigious composer with
several albums in world-wide distribution.
Pounding out the uniquely frenetic Surfaris’
style on drums is David Raven. Besides
working with The Surfaris he is also a
much-sought-after session drummer, which
includes his performance on Amy Grant’s hit,
"That’s What Love Is".
On bass is Jay Truax, who has played surf
music since his high school days in 1963,
with his band, the Nomads. He went on to
become a founding member of the early
contemporary Christian group, Love Song, and
later played for several years with The
Richie Furay Band, (Richie Furay is a
founding member of both the Buffalo
Springfield and Poco). As a session bassist,
Jay has appeared on over 25 albums.
Rob Watson, The Surfaris’ keyboard player,
is also a gifted TV and movie Composer and
Arranger. In the past he has toured with
Dodie Steven, Donna Summer, and Tonio K. He
has considerable album credits as both a
session musician and as an award winning
producer.
The Surfaris today have continued to mature
as musicians and offer live performances
which are enhanced arrangements of their
classic repertoire. New electronics and a
willingness to let surf music take new
directions appeals to younger audiences, yet
The Surfaris never stray too far from their
roots, which provides memorable authenticity
for oldies fans. While doing their version
of Peter Gunn, Rob’s synthesizer provides a
piano with one hand, and a horn section with
the other; Jim Pash can sound like three
saxophones with his pitch synthesizers. Jim,
however, also retains vintage Fender guitar
equipment to play Misirlou "just like the
record." All members also sing, giving
Surfin’ USA it’s true "California sound".
Over the years, countless millions of fans
have attempted to play the Wipe Out drum
solo on car dashboards, desks, and even
drums! The Surfaris recently introduced a
new tradition in recognition of this loyal
following. When time allows, three members
of the audience are invited up on stage to
give the drum solo their best shot, while
The Surfaris perform the music. As souvenior
of their performance, they receive ;a free
set of Hollywood’s Rock Walk drum sticks.
Though The Surfaris have performed at
concert venues such as L.A.’s Forum, after
baseball games, and the Universal
Amphitheater, they are still very much a
dance band, and are often hired specifically
for dances. At a recent street fair for the
City of Glendale, The Surfaris attracted
16,000 people virtually from 8 to 80 of many
diverse ethnic backgrounds. Spontaneous
street dancing went on throughout their 70
minute headliner set. When both the under 30
and the over 40 age groups requested an
encore, surf music made new friends and, (as
The Surfaris have been told many times),made
the ‘60’s generation feel young again.
Now The Surfaris instrumental rock surf
music can be found on over 30 CD varieties.
The most recent Surf Party CD is called The
Best Of The Surfaris Live, Surf Crazy,
original Surfin Hits, and Jenny McCarthy’s
Surfin Safari.
The Surfaris classic surf band continues to
ride that wave with Jim Pash’s dynamic surf
sound. Jim’s unique dynamic style double
picking takes The Surfaris on that ride to a
Surfin Surfari. Playing such hits as Wipe
Out, Surfer Joe, Point Panic, Scatter
Shield, and many more. Note Jim Pash dies
at 56, April 29, 2005. Jim will be missed by
family, friends, and fans.
The Surfaris music can be heard on various
TV and Radio commercials, as well as Movies.
They will be appearing live in concert on
selected dates on tour in the United States
and in South America.
The Surfaris is one rock surf band that is
definitely not to be missed.
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